Finally we arrived near the end of our framework, we made it to dry thoroughly, "I look to see gaps or defects in performance, compare it with our color copying to define the last details.
things first, and re-focus certain areas such as windows white walls and the balcony in the foreground.
A) (left window) will complete the "Persian", add a little yellow (anything yellow is fine) to our mix cadmium red with a bit of everything white and a hint of dark green, get a light brown that can be used for the vessel in the foreground; for windows right contaminate our yellow with a tinge of green color and complete the tax. To do this we should use brushes with the tip end (n.1-2) and a little turpentine.
B) The white wall on the left, if we see it off, we can revitalize a strained zinc white quite large we can repeat for the other white parts, always using the smallest brush.
C) It is still part of the magazine on the green plant to the pot as I said we go back to the same light brown color used for the Persian left, reinforcing the dark side the vessel with the addition of dark green. With the scorched earth brown, some red and Prussian blue go over the darkest part of the "balcony" on the right at the same time utilizzandlo same color with a fine brush resume the dark parts of the windows.
At this point, our framework should be ready we'll keep the observation for a while before finally finish it by affixing our signatures below. In the last lesson we shall see in detail the materials used in fixing the possible final paint and the choice of a suitable frame to complete the work.
Tela completed
original photo of the subject
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